How Gothic Themes Relate to Race and Culture in Beloved
By Jeremy Ezrin
By Jeremy Ezrin
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Themes In Beloved represent the greater pain and suffering of the victims of slavery. |
Beloved by Toni Morrison is a complex and extremely symbolic novel. The themes of race and culture are extremely prevalent throughout the entirety of the plot, with nearly every action or event having a plausible deeper meaning or representation of the pain and suffering of Sethe and the sixty million of which Morrison references in the dedication. Hush, Little Baby-Ghost: The Postcolonial Gothic and Haunting History in Toni Morrison’s Beloved by Ruth Van Den Akker offers a unique analysis of race and its incorporation into the book. Den Akker focuses on the postcolonial and gothic influences of the novel and how they reveal themes that exemplify the murder and genocide of which is so prevalent. Furthermore the article argues that Morrison uses characters and events to assert aspects of the story that otherwise would have gone unnoticed. These euphemistic representations combined with the overarching themes of race and culture embedded within the deeper gothic and post colonial themes allow Morrison to portray the pain and stolen lives of slavery in a magnitude that stands for sixty million victims.
The influences of race and culture in Beloved’s overall plot cannot go unnoticed. There are multiple instances in which Morrison writes from the first person of the book’s characters, perhaps the most influential of these first person point of view is beloved’s. Beloved’s odd memories and horrific stories of the middle passage fill a gap in the story and reveal the book’s true motif. “I cannot lose her again my dead man was in the way like the noisy clouds when he dies on my face I can see hers she is going to smile at me she is going to” (250). This quote exemplifies the confused and dark feelings that pertain to Beloved, while also alluding to gothic themes that Den Akker repeatedly references. This grotesque imagery exhibits her feelings towards Sethe, showing pain and a need for love and companionship. Furthermore this quote also exhibits the race/gothic theme which is prevalent in order to represent slavery as a whole. The numerous references to “faces” show the magnitude of slavery and how individuals lose their personal identity.
While the Den Akker effectively draws correlations between beloved and gothic theme that express pain and suffering, the themes are more isolated than that. The pain and infanticide referenced throughout the book are not meant to exhibit images of hell, but to show the pain of slavery and Sethe’s remorse towards herself and her actions.
Throughout the novel Morrison draws clear connections between the past and present via constant flashbacks as well as changing the point of view by which the book is narrated. The gothic influence of slavery and Beloved’s initial ghost form highlight the communal pain and suffering slavery has inhibited to slave and former slave families throughout the United States and abroad. While her later physical form highlight the family and content that was ripped away from millions by slavery. This complex theme of the novel is alluded to in numerous instances including the following, “Beloved, she my daughter. She mine. See. She come back to me of her own free will and I don’t have to explain a thing” (236), this quote exemplifies Beloved’s return from the dead and her love of which Sethe has longed for. Furthermore it also clearly shows the gothic themes by which Den Akker references by showing paranormal events such as Beloved’s return and it representation as the pain of slavery.
These examples as they pertain to gothic themes and symbolic representation throughout the novel are tools by which Morrison reveals themes of race and culture. Van Akker makes numerous references to such representations that give greater meaning to the book and the magnitude of its themes, this technique is represented in the following “The dedication of the novel, “Sixty Million and more”, draws attention to the vast amount of (hi)stories that are silenced of which Beloved is merely one”. The fact Morrison would reveal such an important theme in the book’s dedication only places further emphasis on its scope and magnitude. Furthermore Van Akker also argues “the gothic becomes a means to allow a disclaimed history to resurface into the present”. This further exemplifies a common theme throughout the novel of individuals and events representing over arching emotions or actions.